Now, many of you know I am a fan of Michael Carpenter. So I am biased, one could argue. I truly think Carpenter is one of the most overlooked talents in so-called `power pop` genre. His legacy, still building, is one that will be recognized more appropriately years down the line. Not only is he a crazy good multi-instrumentalist, but he is an accomplished, well-respected producer recognized in Australia as being a ` go to` guy to get a project done, done well, on budget, on time. He`s, also, a naturally gifted songwriter who instinctively knows what makes a song work and continually evolves his craft with each project he engages himself inside of. The latest evolutionary step for Carpenter is "Redepmption #39", for me his most consistent, most accomplished project yet. Yes, I have said this before with earlier projects but my proclamation is not hyperbole because I maintain and have documented I believe he`s an artist in a continual process of self-improvement. "Redemption #39" is Carpenter`s 8th solo release. It shows Carpenter back in `one man band` mode, with him writing, performing and producing almost all the new album. The album showcases an uncompromising, stylised sonic palette that reflects the album`s starker themes and content.
The album was recorded between 2006 and 2008 at Carpenter`s "Love Hz Studios" in Sydney, Australia. While it has the familiar colours of powerpop and alt.country his fans have come to expect from his solo output, this material comes from a more distinct creative place. It reflects a time where Carpenter was observing an `emptiness`, not only in elements of his own personal and creative life, but in the lives of many around him. These themes manifest themselves in a much darker and assertive style of production, where raw tones, concise layering and some unpredictable elements combine with Carpenter`s assured lead vocals and his most ambitious backing vocal layering to date.
 Song #1 - mp3
Song #2 - mp3
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Song #6 - mp3
Song #7 - mp3
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Song #10 - mp3
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Song #12 - mp3 | 
