Like most CDs in this section, it's brand new - but this JUST arrived Saturday morning! Soundbites, picture, info coming but this is HUGE news for those of us weened on power pop and cool rock from the 70s. These two albums are both filled with ultra-excellent power pop AND melodic rock. On the debut, AMG has this to say: "Billy Squier wrote a great song when he was in the Sidewinders, a song that didn't make it to their Lenny Kaye-produced RCA album but is here in all its glory. "Telephone Relation" is an exquisite pop tune, overshadowed only by the even poppier "Who's Your Boyfriend," which should have been as big a hit as "The Stroke," "In the Dark," and "Everybody Wants You." The great thing about Piper is that Squier emerged with authority as a solid front man, guitarist, and singer/songwriter. The elements that make this disc so good are what is wrong with solo efforts by the Cars' Elliot Easton or Alice Cooper's Michael Bruce. Squier took his former singer Andy Paley's pretty-boy stance and re-evaluated the formula the Sidewinders were toying with. Piper rocks a bit harder than the Sidewinders and lighter than Squier's solo work. Pop suits Squier better than the all-out assault of hard rock his later work is known for. Piper and the excellent follow-up Can't Wait are two essential albums by this very talented artist." And on the second and last album, "Can't Wait" this: "The promise of the first Piper album's classic track "Who's Your Boyfriend" is realized with the title song from Piper's second and last disc before Billy Squier found fame and fortune on his own, Can't Wait. Co-written by Squier and Boston magazine contributor/liner note essayist for Frank Sinatra, James Isaacs, everything is turned up a notch, starting with this sublime pop sensation, the song "Can't Wait." Billy Squier sounds more comfortable singing lead, and where his future producer Eddie Kramer mixed the first album, future Rolling Stones engineer Chris Kimsey does the boards and co-production on this disc. "Anyday" and "Blues for the Common Man" certainly have that early to mid-'70s Rolling Stones feel, as does the beautiful "Now Aint the Time." Hindsight is always 20/20, but Piper had the potential to breakthrough as Heart, Cheap Trick, and other star acts of the time garnered mainstream acceptance and longevity. Who's to say that Squier's stardom as an arena rocker would be matched had he evolved with these musicians. It is tough to compete with drummer extraordinaire, the late Bobby Chouinard, and guitarist Jeff Golub, who worked with Squier shortly after this, but songs like "Drop By and Stay" have an appeal that works for both the metal heads and housewives content to hear something poppy on the radio. "Drop By and Stay" was co-written by Squier and former Elektra A&R rep, Maxanne Sartori. Sartori was instrumental in the success of Aerosmith and the Cars, and "Drop By And Stay" is one of the albums highlights. "See Me Through" may not be as intense as the Stroke, but that is its charm. The band really sparkles and shines on this collection. "Little Miss Intent" is a precursor to "Everybody Wants You," Squier's 1982 Top 35 hit. Where John Cougar performing a cover of the Doors "Crystal Ship" on MCA prior to his success is an embarrassment, this early material by Billy Squier is not only something to be proud of, it stands the test of time and should be recognized as important music, not just the early work by an '80s star."
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